IAI铜奖-时间的容器 The container of time
获奖者:
杨跃文
作品简介:
我们尝试将Studio空间塑造的如空气般的感觉:客观、同质化、具体又抽象。它不述说什么,身在其中犹抽离至匀质时空之感。
设计者通过对空间比例的控制及对自然光线(作为至关重要的材料)的绝对遵从与把握,为Studio赋予了一种身在其中,人与物同质化的氛围。人与物品各得其所,无主从关系,被唤醒的物品每天都散发着新鲜的感觉,人在空间里对物的感知得到了充分的开发。
墙体转角位置挂着一个透明人装置,部分身体悬在空中,与阵列天花造型平行:一是强调空间的水平方向上的拉升感;其次如设计者所愿,它在“游戏”空间重力的同时,带来了一些趣味性与艺术性。
设计者尝试通过对场地的干预,顺势,抑或强势,与原初的空间结构达成某种交易,取得平衡。这是一个关于“物”的能量场,设计者对空间的打理乐此不疲,这是一场在内外之间,宏观和微观之间寻求平衡的,无休止的游戏。
We have attempted to make the studio space feel like air: objective, homogeneous, concrete and yet abstract. It cannot say anything, but when you immerse yourself in it, it?is as if?time and space?are homogeneous.?
Through control of the spatial?proportions?and the absolute submission to and grasp of natural light (a vital material), the designer has provided the studio?with?an immersive atmosphere in which people and objects are homogenized. People and objects have their own place, and there is no principal-subordinate?relationship?between the two.?Objects seem to adopt a fresh and new look every day, and people have a greater awareness of the objects in the space.
In the corner of the space hangs a transparent image of a human with part of its body suspended in the air parallel to the ceiling. This design serves two purposes. First, it emphasizes the horizontal pull of space. Second, just as desired, it brings fun and artistry while "playing" with the gravity of space.
The designer has tried to interact?and strike a balance with the original spatial structure by adapting the site, leveraging its advantages, or simply by implementing the desired effects. This is an energy field related to “objects”. The designer never tires of managing the space. It's an endless game of seeking a balance between internal and external, the macro and the micro.