Xinxiang, as one of the important cradles of the Book of Songs, the cultural connotation of poetry and calligraphy can exactly represent the humanistic temperament of the region in Henan Province. In the traditional and contemporary time axis, the designer tries to borrow its form and abstract the concrete form. The design team strives to present an immersive spatial experience full of Oriental poetry by extracting and reconstructing the local cultural and historical elements. In order to reduce the emptiness of the space, the facade with delicate details and rich layers, infusing bamboo as cultural symbols, extracting its "shape" and "appearance", and displaying the form with bamboo leaves mixed with transparent glass. The space changes with people's walking, and people's sensory experience is fluid. A painting, a group of dry stones, grilles and latticework at the beginning and end of the space, the hall and corridor light and scene set off each other, as if telling their history and life. Landscape and public private properties in the space deduce the sense of rhythm, trying to re-establish the coexistence relationship between people and the environment. The designer creatively disassembles and reassembles the strokes of Chinese characters, introduces the redesign and presentation of longshan culture bone inscriptions, and finally extracts and evolves into an art installation. The classical and abstract Chinese character culture is connected by modern acrylic, which creates a magnificent dialogue across time and space.