年轻的设计师夫妇终究博得了扎根于这座城市的底气——61平的家。
虽不大,但足以抵抗大都市的漂泊感。
二人的设计师身份是对诗意生活的加持,佐以情怀少许,野心三杯,木色温柔之下,是囿于餐厨间的浪漫和内敛的品味追求。用最少的设计赋予空间无限想象,这样的家,想来却是无限大的。
秉承“大众应能享受美好且有用之物”的理念,本案设计师将饰物去繁留简与舒适功能相结合,配合木饰面与大理石的分区,柔和与硬朗层次分明又相得益彰。
“生活场景的塑造源于看见人的真实需求,感觉不到手法痕迹的软装设计会润物细无声,那些家具、餐具本来就应该在这里。”如此,当是一器一物所承载的装饰意义。
The young couple of designers finally won the confidence rooted in the city-61 flat home. Although not big, it is enough to resist the wandering feeling of the metropolis.
The identities of the two designers are the blessing of poetic life, accompanied by a little feeling, three cups of ambition, and the gentle wood color, is the romantic and restrained pursuit of taste confined to the kitchen. With minimal design to give space unlimited imagination, such a home is infinitely large.
Adhering to the concept of "the public should be able to enjoy beautiful and useful things", the designer of this case combines the decoration of the complex and the comfortable function, with the partition of the wood veneer and the marble, the softness and the toughness are distinct and complement each other.
"The shaping of life scenes stems from seeing people's real needs. The soft decoration design that does not feel the traces of the technique will moisten things silently. Those furniture and tableware should be here." So, it is what one thing carries. Decorative meaning.